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 July 12, 2025


Deer friend,

I hope this letter finds you well. I’m writing to thank you for everything you’ve done for me over the past two years. I’ve enjoyed working with you and getting to know you. And I really appreciate all of your generous your kindness and support. 


From the start we belonged together, whether we were out on the road making new friends, or just goofing around at home. There are so many good times that I’ll never forget. 


I remember the first time we met. I wasn’t expecting us to bond so quickly! Since then, we’ve been joined at the hip, or neck, whatever. So many things we've done I never would have done without you. I simply couldn’t have gotten this far. 


But it hasn't always been easy—some of the roads we've travelled, some of the challenges we've faced. I live in society, so I don't really know how to survive like you in the wild. Because of this, I’ve leaned too heavily on you at times. More than once, it has brought me to tears. 


And so this is why I feel we must separate. Not right now, I hope you'll hang around for awhile—fitting in, while standing out. However, I want you to know that the time will come when I've got to move on without you. 


I love you,


-Mitch



July 1, 2025


"I long, as does every human being, to be at home wherever I find myself." - Maya Angelou


The deer occupies a unique space in my imagination—he’s elusive, gentle, and alert—on the edge of the forest, half-seen, half-gone. His liminality makes him a powerful metaphor for otherness: a state of being present but not fully accepted, visible but not fully seen. 


He exists in mythologies and ecosystems across the globe. From the white stag of Celtic lore to the sacred deer of Shinto shrines in Japan, from Native American spirit guides to the reindeer of the Arctic, from high art to kitsch, he’s a shared symbol. In choosing him, I choose an animal that transcends borders, continents, and cultures.


His ironic duality as both respected and hunted, mirrors the experience of many who live as “other” in society—admired for their uniqueness, yet targeted or marginalized for the same reason. Society both romanticizes difference, while also fearing and exploiting it.


In becoming him, I succumb to my own human instinct, the powerful allure of belonging. Embodying him, I seek acceptance. My aim, not to pretend to be someone else—but to become something else, fully conscious of the fact that he allows me to embody “otherness,” without claiming any specific human identity. 


The common ritual of posing for a picture becomes a paradox: am I hiding, or revealing? It gives me license to explore the porous boundary between self and other, human and animal, real and imagined, and invites—but resists—decoding. I want viewers to linger in this ambiguity, at least for a moment, and consider the invisible lines we draw between each other. 


As a bi-coastal, Judeo-Christian, dual citizen—I feel that an act of deception is not necessarily unethical, when intended with ironic sincerity: to build trust and belonging in a fractured world. 


-Mitch Kern, July 1, 2025


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